<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-2573391679747048120</id><updated>2011-07-07T19:52:11.237-07:00</updated><category term='Itinerary #1'/><category term='Modernism'/><category term='Itinerary 2.0'/><category term='Development'/><category term='Sustainable Agriculture'/><category term='Urban Theory'/><category term='State Planning'/><category term='On the Shelf'/><title type='text'>Itinerary for Becoming an Intellectual</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://becominganintellectual.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2573391679747048120/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://becominganintellectual.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>William Dhalgren</name><uri>http://www.blogger.com/profile/02622929884752725806</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_MgpNvUmyuYs/SpH2prINjyI/AAAAAAAAAAM/eNHrnNBp-tg/S220/bowie01.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>7</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-2573391679747048120.post-3248181020169593547</id><published>2010-01-26T23:35:00.000-08:00</published><updated>2010-02-01T14:16:57.066-08:00</updated><title type='text'>Haiti: Making Sense of Catastrophe</title><content type='html'>&lt;span style=";font-family:georgia;font-size:100%;"  &gt;I was recently watching one of the Slovenian philosopher Savoj Zizek's entertaining movie critiques, in which he (when talking about "The Birds") makes the point that -- to some extent -- it's useless to talk about catastrophes as a part of reality:&lt;br /&gt;&lt;/span&gt;&lt;div  style="text-align: left;font-family:georgia;"&gt;&lt;span style="font-size:100%;"&gt;&lt;/span&gt;&lt;blockquote&gt;&lt;span style="font-size:100%;"&gt;It is not enough to say that the birds are part of the natural setup of reality, it is rather as if a foreign dimension intrudes that literally tears apart reality. We humans are not naturally born into reality. In order for us to act as normal people who interact with other people who live in the space of social reality, many things should happen, like we should be properly installed within the symbolic order and so on. When this, our proper dwelling within a symbolic space, is disturbed, reality disintegrates.&lt;/span&gt;&lt;/blockquote&gt;&lt;span style="font-size:100%;"&gt;But this disintegration is only temporary; once the event ends, we have to reintegrate the experience into our day-to-day reality. To some extent, we might think of such terrifying events as an inverse to the more positive disintegrations of reality experienced in religious experiences or in the profane illumination of hallucinogenic drugs.&lt;br /&gt;&lt;br /&gt;How does this help to think about the catastrophic earthquake that, by some recent estimates, killed 2% of Haiti's population?&lt;/span&gt; There was a horrific loss of life; for the people of Port au Prince,  reality has disintegrated. Any decent human being sees images from ground zero of the earthquake and reacts with horror and empathy; and then what? The normal reaction is to try to integrate the horrific event into our already entrenched ideas about reality. And that can lead to people saying some fucked up shit about pacts with the devil or Haiti's entrenched cultural inferiority. It can also lead to genuinely moving acts of human solidarity. Sometimes, people do both at the same time, like the Queen of Benin.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Point...&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;There are a few points I am hearing (0r reading) consistently in much of the American news coverage of Haiti. The first is the endless rumination over the flimsy houses in Port au Prince's sprawling shantytowns, like Carrefour. The city's horrific poverty has been (in a somewhat voyeuristic manner) paraded before the cameras, devoid of context.&lt;br /&gt;&lt;br /&gt;Perhaps realizing obliquely that they are speaking of a country with a rich culture and history, a few talking heads have brought up instances from Haitian history. The most common one I've encountered is that Haiti is the only country in the world founded by a slave revolt (Robertson, in his reptilian way, touched on this). This is true. But coupled with the coverage above, I think that it creates the impression that Haiti's current impoverishment is the the result of it being founded by former slaves; that perhaps, the founders of the Haitian republic were not as competent as the slave-owners who founded our own. And this is misleading&lt;br /&gt;&lt;/div&gt;&lt;span style=";font-family:times new roman;font-size:100%;"  &gt; &lt;span style="font-weight: bold;font-family:georgia;" &gt;&lt;br /&gt;The Haitian Revolution&lt;/span&gt;  &lt;span style="font-weight: bold;font-family:georgia;" &gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:georgia;"&gt;I feel that the Haitian Revolution was the first real, substantial attempt a decolonization in the Western Hemisphere. I don't think that you could honestly say that about the early United States, which in many ways remained a colonialist settler state even after independence. Toussaint L'Ouverture promised to found a republic in which no one had the right to own another human being (though, admittedly, not a republic in which all human beings had the right to vote). And that idea scared the piss out of the countries involved in the slave trade.&lt;br /&gt;&lt;br /&gt;In the decade following the initial slave revolt, the newly independent country fought off invasions by Spain, Britain, and France. The final peace treaty with France required that Haiti pay 150 million gold Francs in reparations. Writing in 2004, Uruguayan journalist Eduardo Galeano estimated that, in today's currency, that would be about $21.7 billion, or 44 times the Haitian government's 2004 budget. Haiti would be paying off their debts to France well into the 20th century. Haiti, for most of the 18th century, had been the most lucrative colony in the Caribbean; it began the 19th century devastated by a decade of war, saddled with a mountain of debt, and diplomatically isolated.&lt;br /&gt;&lt;br /&gt;The specter of Haiti continued to haunt the southern United States for another six decades after President Thomas Jefferson refused to acknowledge the country's independence (a policy that would continue until the presidency of Abraham Lincoln). It helped to inspire a dramatic spike in slave revolts in the first two decades of the 19th century, particularly the major uprising of French-speaking slaves in Louisiana in 1811. And it was not forgiven for this. A century later Woodrow Wilson, the son of a slave owner and vocal KKK sympathizer, sent US Marines to occupy Haiti. The occupation lasted for almost twenty years, during which the Haitian national bank was handed over to the City Bank of New York, racial segregation was imposed for the first time in Haitian history, and a system of forced labor eerily similar to slavery was created. The occupation lasted until FDR's "good neighbor" policy temporarily ended direct American military intervention in the Caribbean.&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:georgia;" &gt;Port au Prince&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:georgia;"&gt;After the withdrawal of the Marines, Haiti was ruled by a series of military regimes, most famously Papa and Baby Doc Duvalier (who, together, executed somewhere around 30,000 innocent people). At the time, Haiti had a population of about 6 million, and was overwhelmingly rural (75%-ish). Metropolitan Port au Prince was still a rather sleepy town of less than 750,000 inhabitants. The ubiquitous corrugated tin shacks of Carrefour and Cite Soleil were basically non-existent. Haiti had suffered a lot since independence, but the bulk of the rural population were still small farmers, mostly growing rice and other staple foods. Even under the early Duvalier dictatorship they enjoyed the protection of tariffs and a trickle of subsidies.&lt;br /&gt;&lt;br /&gt;But the 70s and 80s were a shit time for small farmers in the global south. All over the so-called Third World, neo-liberal economists from multilateral lending institutions such as the IMF encouraged debt-ridden countries to slash social services and drop tariffs. Rural Haiti, like the rest of the developing world, faced a dramatic economic and infrastructural crisis. As people lost their farms (many of which had been in their families since the revolution), they fled to the cities. The Duvaliers were both unprepared and unwilling to deal with this influx, and virtually no investment was made in accommodating it. Prior to the earthquake, the population of the Port au Prince metro area was estimated to be at least 2 million people, with some estimates going as high as 2.5. Shantytowns like Cite Soleil have a level of population density "comparable to [a] cattle feedlot" (Davis, 92).&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;In Conclusion&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;I think that if I make this any longer it will get unwieldy, if it is not so already. But Haiti's history is much more complex than that of a perpetual victim or national schlimazel.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2573391679747048120-3248181020169593547?l=becominganintellectual.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://becominganintellectual.blogspot.com/feeds/3248181020169593547/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://becominganintellectual.blogspot.com/2010/01/haiti-making-sense-of-catastrophe.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2573391679747048120/posts/default/3248181020169593547'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2573391679747048120/posts/default/3248181020169593547'/><link rel='alternate' type='text/html' href='http://becominganintellectual.blogspot.com/2010/01/haiti-making-sense-of-catastrophe.html' title='Haiti: Making Sense of Catastrophe'/><author><name>William Dhalgren</name><uri>http://www.blogger.com/profile/02622929884752725806</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_MgpNvUmyuYs/SpH2prINjyI/AAAAAAAAAAM/eNHrnNBp-tg/S220/bowie01.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2573391679747048120.post-6020472365170133296</id><published>2010-01-26T22:49:00.001-08:00</published><updated>2010-01-26T23:26:38.820-08:00</updated><title type='text'>Yarns</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_MgpNvUmyuYs/S1_nSiZ9-pI/AAAAAAAAABU/frKszAm3dGY/s1600-h/Strings.png"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 438px; height: 328px;" src="http://1.bp.blogspot.com/_MgpNvUmyuYs/S1_nSiZ9-pI/AAAAAAAAABU/frKszAm3dGY/s320/Strings.png" alt="" id="BLOGGER_PHOTO_ID_5431313981291494034" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;The above clusterfuck of string and paper represent my attempt to visually articulate the interconnectedness of my project. It was, as far as I can tell, a good idea that floundered in implimentation. In my mind's eye, I can see the ways in which Taussig's use of the concepts of discourse and otherness are developed (to a large degree) from Said, who of course learned a great deal from Foucault. Or how the forms of community organization described in Desai's book are developed from the global growth of slums that Davis describes. So I drew stickfigures and taped them to a foam board, and then tacked on color coded yarn to represent different types of interconnectedness.&lt;br /&gt;&lt;br /&gt;But the goddamn board couldn't fit that much yarn. The spirit was willing, but the yarn was weak. Now that that travesty is completed, get ready for some discussion of South African grassroots politics.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2573391679747048120-6020472365170133296?l=becominganintellectual.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://becominganintellectual.blogspot.com/feeds/6020472365170133296/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://becominganintellectual.blogspot.com/2010/01/yarns.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2573391679747048120/posts/default/6020472365170133296'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2573391679747048120/posts/default/6020472365170133296'/><link rel='alternate' type='text/html' href='http://becominganintellectual.blogspot.com/2010/01/yarns.html' title='Yarns'/><author><name>William Dhalgren</name><uri>http://www.blogger.com/profile/02622929884752725806</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_MgpNvUmyuYs/SpH2prINjyI/AAAAAAAAAAM/eNHrnNBp-tg/S220/bowie01.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_MgpNvUmyuYs/S1_nSiZ9-pI/AAAAAAAAABU/frKszAm3dGY/s72-c/Strings.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2573391679747048120.post-3755023891812596781</id><published>2009-12-12T18:44:00.000-08:00</published><updated>2009-12-13T13:45:10.151-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='On the Shelf'/><category scheme='http://www.blogger.com/atom/ns#' term='Modernism'/><category scheme='http://www.blogger.com/atom/ns#' term='Development'/><category scheme='http://www.blogger.com/atom/ns#' term='Urban Theory'/><category scheme='http://www.blogger.com/atom/ns#' term='State Planning'/><category scheme='http://www.blogger.com/atom/ns#' term='Sustainable Agriculture'/><title type='text'>On the Shelf: Seeing Like a State</title><content type='html'>Scott, James C. &lt;span style="font-style: italic;"&gt;Seeing Like a State: Why Certain Schemes to Improve the Human Condition Have Failed&lt;/span&gt;. New Haven: Yale University Press, 1999.&lt;br /&gt;&lt;br /&gt;First, let it be said that Scott's book is brilliant. &lt;span&gt;Second, this is a book that has been reviewed numerous times before, so a lot of what I say won't be anything new.&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Seeing like a State&lt;/span&gt; is a wide ranging and very convincing analysis of the shortfalls of state-initiated plans for development. It begins by setting forth what Scott views as the significant common features of several major disasters in 20th century development projects. It proceeds to examine specific cases, such as the construction of &lt;a href="http://eunao.files.wordpress.com/2008/04/df-brasilia06-4601.jpg"&gt;Brasilia&lt;/a&gt; (and modernist city planning generally), &lt;a href="http://3.bp.blogspot.com/_KgBT8kIRgBo/RtRMumpiCJI/AAAAAAAABFA/bE70PyOdBD8/s1600-h/Collectivization-get-rid-of-kulak.jpg"&gt;Soviet collectivization&lt;/a&gt;, and villagization in &lt;a href="http://legacy.lclark.edu/%7Epeck/EAf-Orient/Tanzania/T-images/nyerere-7.jpg"&gt;Tanzania&lt;/a&gt;. As a point of departure, Scott posits two key points: that these projects were motivated largely by genuine &lt;a href="http://www.vlrc.org/images/whats-new-10.jpg"&gt;humanistic and egalitarian impulses&lt;/a&gt;, and that they were &lt;a href="http://upload.wikimedia.org/wikipedia/commons/a/a3/GolodomorKharkiv.jpg"&gt;horrific failures&lt;/a&gt; on both human and economic terms. It was refreshing to read a text on the failures of state planning that didn't degenerate into either &lt;a href="http://www.amazon.com/Through-Glass-Darkly-American-Revolution/dp/1583671412"&gt;tortured left-wing apologetics&lt;/a&gt; or an &lt;a href="http://www.amazon.com/Capitalism-Freedom-Anniversary-Milton-Friedman/dp/0226264211/ref=sr_1_1?ie=UTF8&amp;amp;s=books&amp;amp;qid=1260682356&amp;amp;sr=1-1"&gt;exultant paean to unrestricted capitalism&lt;/a&gt;. However, like other reviewers, I feel that there are definite flaws with the book that a responsible reviewer should address.&lt;br /&gt;&lt;br /&gt;Scott asserts that the four key ingredients in a truly disastrous development project are:&lt;br /&gt;&lt;br /&gt;&lt;ol&gt;&lt;li&gt;A modern state with the administrative capability to monitor its population, including their wealth and patterns of land distribution.&lt;/li&gt;&lt;li&gt;A state motivated by a high modernist ideological framework that posits a linear view of social/technological progress ultimately leading to a rationally ordered society&lt;/li&gt;&lt;li&gt;An authoritarian state that is capable and willing back up its high modernist vision with force&lt;/li&gt;&lt;li&gt;A moribund or otherwise inert civil society that is incapable or unwilling to challenge these designs.&lt;/li&gt;&lt;/ol&gt;&lt;br /&gt;The initiators of such large scale development projects (in either their colonialist, nationalist, or socialist forms) tended to have an unshakable faith in technocratic solutions to human problems, a faith that leads to a rather dim view of local forms of knowledge. Indeed, for enthusiastic modernizers such traditional folkways are "&lt;a href="http://www.youtube.com/watch?v=dFzGDpCeEns"&gt;the father who must be killed&lt;/a&gt;:" ridden with backwardness and inequalities. Though some, like Mao, might praise popular initiative &lt;a href="http://www.marxists.org/reference/archive/mao/works/red-book/ch11.htm"&gt;&lt;span style="font-style: italic;"&gt;ad nauseum&lt;/span&gt;&lt;/a&gt;, it was mainly for initiative shown in carrying out &lt;a href="http://www.iisg.nl/landsberger/images/ffyp02.jpg"&gt;projects mandated by specialists&lt;/a&gt; in the central government.&lt;br /&gt;&lt;br /&gt;Such disregard for the existing social capital of the very people they were trying to uplift is, in a large part, responsible for high modernism's &lt;a href="http://en.wikipedia.org/wiki/File:Pruitt-Igoe-collapses.jpg"&gt;tragic downfall&lt;/a&gt;. Rather than building upon popular knowledge and resources, typical high modernist solutions attempted to start fresh with new collective farms, cooperative villages, or model neighborhoods/workplaces. The problem inherent in such solutions is that they are usually based on radical simplifications of what human communities need in order to function, reduced to criteria easily measured by state authorities. And while such criteria (nutrition, sanitation, shelter) are vitally important, huge components of communal solidarity and social bonding exist outside its scope. Finally, top-down development projects usually overlap significantly with classic government concerns such as tax collection, conscription, and census taking and when push comes to shove these bureaucratic interests take precedence over the plan's democratic or egalitarian aspects.&lt;br /&gt;&lt;br /&gt;There is a great deal more to this tome; more than I can realistically cover in a single entry. I'm planning on hitting a few other points in a later entry. But before ending I wanted to note what I saw as the book's flaws. Due to the book's staggering breadth, coupled with its relative brevity, it sometimes read more like an extended polemical essay rather than a scholarly text. And while I appreciated its multidisciplinary focus, the jumps between topics were sometimes disorienting, and the analogies connecting them somewhat lacking. The comparison between diverse urban communities and polycropped agricultural practices, for example, was evocative but somewhat insubstantial. Given the book's focus on agrarian policies, the chapters on urban planning (though fascinating!) seemed almost extraneous.&lt;br /&gt;&lt;br /&gt;Those caveats aside, this is a fucking awesome book that I would recommend to anyone with a significant interest in 20th century history, public policy, economic development, or agriculture. Whatever your intellectual beverage of choice, you are likely to find something to your liking within.&lt;br /&gt;&lt;br /&gt;When I told one of my professors about the premise of &lt;span style="font-style: italic;"&gt;Seeing Like a State&lt;/span&gt;, she asked me to see if I could apply its analysis to &lt;a href="http://en.wikipedia.org/wiki/No_Child_Left_Behind_Act"&gt;&lt;span style="font-style: italic;"&gt;No Child Left Behind&lt;/span&gt;&lt;/a&gt;.&lt;span style="font-style: italic;"&gt; &lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;In my next entry I will attempt to do so.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2573391679747048120-3755023891812596781?l=becominganintellectual.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://becominganintellectual.blogspot.com/feeds/3755023891812596781/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://becominganintellectual.blogspot.com/2009/12/on-shelf-seeing-like-state.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2573391679747048120/posts/default/3755023891812596781'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2573391679747048120/posts/default/3755023891812596781'/><link rel='alternate' type='text/html' href='http://becominganintellectual.blogspot.com/2009/12/on-shelf-seeing-like-state.html' title='On the Shelf: Seeing Like a State'/><author><name>William Dhalgren</name><uri>http://www.blogger.com/profile/02622929884752725806</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_MgpNvUmyuYs/SpH2prINjyI/AAAAAAAAAAM/eNHrnNBp-tg/S220/bowie01.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2573391679747048120.post-3743444548866041334</id><published>2009-12-04T09:16:00.000-08:00</published><updated>2009-12-13T02:27:58.130-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Itinerary 2.0'/><title type='text'>OLD ITINERARY; SCRAPPED OR ON INDEFINITE HIATUS</title><content type='html'>Which, to be honest, it already was. Given, I mean, that I hadn't updated it for a couple months.&lt;br /&gt;&lt;br /&gt;So, in the interest of ultimately getting a master's degree in teaching, here is a new itinerary connected to my Holes and Goals project for my Content Investigations class. There is some overlap with the previous itinerary.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;100% official new reading itinerary:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1) &lt;span style="font-style: italic;"&gt;The Invention of the White Race: Racial Oppression and Social Control&lt;/span&gt; -- Ted Allen&lt;br /&gt;&lt;span&gt;2)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; The Invention of the White Race: The Origin of Racial Oppression in Anglo America&lt;/span&gt; -- Ted Allen&lt;br /&gt;&lt;span&gt;3)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Imagined Communities: Reflections on the Origins and Spread of Nationalism&lt;/span&gt; -- Benedict Anderson&lt;br /&gt;&lt;span&gt;4)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Planet of Slums&lt;/span&gt; -- Mike Davis&lt;br /&gt;&lt;span&gt;5)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; We are the Poors: Community Struggles in Post-Apartheid South Africa&lt;/span&gt; -- Ashwin Desai&lt;br /&gt;&lt;span&gt;6)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Suburban Nation: The Rise of Sprawl and the Decline of the American Dream&lt;/span&gt; -- Andres Duany, Elizabeth Plater-Zyberk, and Jeff Speck&lt;br /&gt;&lt;span&gt;7)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Discipline and Punish: The Birth of the Prison&lt;/span&gt; -- Michel Foucault&lt;br /&gt;&lt;span&gt;8)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Lost People: Magic and the Legacy of Slavery in Madagascar&lt;/span&gt; -- David Graeber&lt;br /&gt;&lt;span&gt;9)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; The Death and Life of Great American Cities&lt;/span&gt; -- Jane Jacobs&lt;br /&gt;&lt;span&gt;10)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; The Black Jacobins: Toussaint L’Ouverture and the San Domingo Revolution&lt;/span&gt; -- C.L.R. James&lt;br /&gt;&lt;span&gt;11)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; The Image of the City&lt;/span&gt;-- Kevin Lynch&lt;br /&gt;&lt;span&gt;12)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Township Politics: Civic Struggles for a New South Africa&lt;/span&gt; -- Mzwanele Mayekiso&lt;br /&gt;&lt;span&gt;13)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Dialectical Urbanism: Social Struggles in the Capitalist City&lt;/span&gt; -- Andrew Merrifield&lt;br /&gt;&lt;span&gt;14)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Culture and Imperialism&lt;/span&gt; -- Edward Said&lt;br /&gt;&lt;span&gt;15)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed&lt;/span&gt; -- James C. Scott&lt;br /&gt;&lt;span&gt;16)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Gender and the Politics of History&lt;/span&gt; -- Joan Wallach Scott&lt;br /&gt;&lt;span&gt;17)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; The ANC Underground in South Africa, 1950-1976&lt;/span&gt; -- Raymond Suttner&lt;br /&gt;&lt;span&gt;18)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Shamanism, Colonialism and the Wild Man: A Study in Terror and Healing&lt;/span&gt; -- Michael Taussig&lt;br /&gt;&lt;span&gt;19)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; The Making of the English Working Class&lt;/span&gt; -- E.P. Thompson&lt;br /&gt;&lt;span&gt;20)&lt;/span&gt;&lt;span style="font-style: italic;"&gt; The Social Life of Small Urban Spaces&lt;/span&gt; -- W. H. Whyte&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Currently, I've read a few of the books on this list, and hope to continue to make plodding progress toward reading them all. The selection might seem arbitrary; &lt;span style="font-style: italic;"&gt;why are these books different from all other books?&lt;/span&gt; Several of them relate to my growing interest in urban theory: an interest in how urban spaces work both from a spacial/personal perspective and a political/economic perspective. Others are about South Africa: I have not studied African history very extensively, and South Africa seemed like a good place to start. Others are classic historical works which I either have not read or could stand to be more familiar with. There are continuities (which I will elaborate on) between these books and those I read over the summer.&lt;br /&gt;&lt;br /&gt;On another level, I generally find a broad and eclectic survey of books more fun than a focused study of a single topic. In reading such a jumble of books, intersections and commonalities inevitably emerge that would not have been immediately apparent. It is precisely these sorts of intersections that are the most intellectually rewarding.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Next Entry&lt;/span&gt;: "Why these books?" continued&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2573391679747048120-3743444548866041334?l=becominganintellectual.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://becominganintellectual.blogspot.com/feeds/3743444548866041334/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://becominganintellectual.blogspot.com/2009/12/old-itinerary-scrapped-or-on-indefinite.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2573391679747048120/posts/default/3743444548866041334'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2573391679747048120/posts/default/3743444548866041334'/><link rel='alternate' type='text/html' href='http://becominganintellectual.blogspot.com/2009/12/old-itinerary-scrapped-or-on-indefinite.html' title='OLD ITINERARY; SCRAPPED OR ON INDEFINITE HIATUS'/><author><name>William Dhalgren</name><uri>http://www.blogger.com/profile/02622929884752725806</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_MgpNvUmyuYs/SpH2prINjyI/AAAAAAAAAAM/eNHrnNBp-tg/S220/bowie01.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2573391679747048120.post-6145394355644829266</id><published>2009-09-05T14:23:00.000-07:00</published><updated>2009-09-05T14:52:07.807-07:00</updated><title type='text'>Itinerary #1, Draft One</title><content type='html'>&lt;span class="Apple-style-span" style="color: rgb(41, 48, 59); font-size: 13px; "&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;On Critical Theory:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;Rabelais and His World&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt; -- Mikhail Bakhtin&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;Illuminations: Essays and Reflections&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt; -- Walter Benjamin&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;Reflections: Essays, Aphorisms, and Autobiographical Writings&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt; -- Walter Benjamin&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;Ways of Seeing&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt; -- John Berger&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Society of the Spectacle&lt;/span&gt; -- Guy Debord&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;Shorter Views: Queer Thoughts and the Politics of the Paraliterary&lt;/span&gt; -- Samuel Delany&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;Longer Views: Extended Essays&lt;/span&gt; -- Samuel Delany&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;Discipline and Punish: The Birth of the Prison&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt; -- Michel Foucault &lt;span class="Apple-style-span" style="font-weight: bold; "&gt;(Reread)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;Madness and Civilization: A History of Insanity&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt; -- Michel Foucault&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;The Pedagogy of the Oppressed&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt; -- Paulo Friere &lt;span class="Apple-style-span" style="font-weight: bold; "&gt;(Reread)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;Selections from the Prison Notebooks&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt; -- Antonio Gramsci &lt;span class="Apple-style-span" style="font-weight: bold; "&gt;(Reread)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;Empire&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt; -- Michael Hardt &amp;amp; Antonio Negri &lt;span class="Apple-style-span" style="font-weight: bold; "&gt;(Reread)&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;Multitude: War and Democracy in the Age of Empire&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt; -- Michael Hardt and Antonio Negri&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;Feminist Theory: From Margin to Center&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt; -- bell hooks&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;History and Class Consciousness&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt; -- Georg Lukacs&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;Theory of the Novel&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt; -- Georg Lukacs&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Women, Resistance and Revolution&lt;/span&gt; -- Sheila Rowbotham&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;Culture and Imperialism&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt; -- Edward Said&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Poverty of Theory and Other Essays&lt;/span&gt; -- E. P. Thompson&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;On Cities:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Arcades Project&lt;/span&gt; -- Walter Benjamin&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Planet of Slums&lt;/span&gt; -- Mike Davis&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia; "&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;The Death and Life of Great American Cities&lt;/span&gt; -- Jane Jacobs&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia; "&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;The Image of the City&lt;/span&gt; -- Kevin Lynch&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia; "&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed&lt;/span&gt; -- James Scott&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia; "&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;The Social Life of Small Urban Spaces&lt;/span&gt; -- William H. Whyte&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman';"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;On Villages:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; "&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Agrarian Revolt in a Mexican Village&lt;/span&gt; -- Paul Friedrich&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Weapons of the Weak: Everyday Forms of Peasant Resistance&lt;/span&gt; -- James Scott&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Shamanism, Colonialism and the Wild Man: A Study in Terror and Healing&lt;/span&gt; -- Michael Taussig&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Europe and the People Without History&lt;/span&gt; -- Eric Wolf&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2573391679747048120-6145394355644829266?l=becominganintellectual.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://becominganintellectual.blogspot.com/feeds/6145394355644829266/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://becominganintellectual.blogspot.com/2009/09/itinerary-1-draft-one.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2573391679747048120/posts/default/6145394355644829266'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2573391679747048120/posts/default/6145394355644829266'/><link rel='alternate' type='text/html' href='http://becominganintellectual.blogspot.com/2009/09/itinerary-1-draft-one.html' title='Itinerary #1, Draft One'/><author><name>William Dhalgren</name><uri>http://www.blogger.com/profile/02622929884752725806</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_MgpNvUmyuYs/SpH2prINjyI/AAAAAAAAAAM/eNHrnNBp-tg/S220/bowie01.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2573391679747048120.post-6252779073582638679</id><published>2009-08-23T16:08:00.000-07:00</published><updated>2009-08-23T18:32:48.624-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Itinerary #1'/><title type='text'>Tentative Notes toward an initial itinerary</title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;Rabelais and His World&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt; -- Mikhail Bakhtin&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;Illuminations: Essays and Reflections&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt; -- Walter Benjamin&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;Reflections: Essays, Aphorisms, and Autobiographical Writings&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt; -- Walter Benjamin&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;Ways of Seeing&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt; -- John Berger&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Shorter Views: Queer Thoughts and the Politics of the Paraliterary&lt;/span&gt; -- Samuel Delany&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Longer Views: Extended Essays&lt;/span&gt; -- Samuel Delany&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;Discipline and Punish: The Birth of the Prison&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt; -- Michel Foucault &lt;span class="Apple-style-span" style="font-weight: bold;"&gt;(Reread)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;Madness and Civilization: A History of Insanity&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt; -- Michel Foucault&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;The Pedagogy of the Oppressed&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt; -- Paulo Friere &lt;span class="Apple-style-span" style="font-weight: bold;"&gt;(Reread)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;Selections from the Prison Notebooks&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt; -- Antonio Gramsci &lt;span class="Apple-style-span" style="font-weight: bold;"&gt;(Reread)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;Empire&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt; -- Michael Hardt &amp;amp; Antonio Negri &lt;span class="Apple-style-span" style="font-weight: bold;"&gt;(Reread)&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;Multitude: War and Democracy in the Age of Empire&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt; -- Michael Hardt and Antonio Negri&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;Feminist Theory: From Margin to Center&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt; -- bell hooks&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Death and Life of Great American Cities&lt;/span&gt; -- Jane Jacobs&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;History and Class Consciousness&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt; -- Georg Lukacs&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;Theory of the Novel&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt; -- Georg Lukacs&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Image of the City&lt;/span&gt; -- Kevin Lynch&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;Culture and Imperialism&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt; -- Edward Said&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed&lt;/span&gt; -- James Scott&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Social Life of Small Urban Spaces&lt;/span&gt; -- William H. Whyte&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;Basically, right now it's just a grab bag o' theory. If ya got suggestions, leave them in the comments.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2573391679747048120-6252779073582638679?l=becominganintellectual.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://becominganintellectual.blogspot.com/feeds/6252779073582638679/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://becominganintellectual.blogspot.com/2009/08/tentative-notes-toward-initial.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2573391679747048120/posts/default/6252779073582638679'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2573391679747048120/posts/default/6252779073582638679'/><link rel='alternate' type='text/html' href='http://becominganintellectual.blogspot.com/2009/08/tentative-notes-toward-initial.html' title='Tentative Notes toward an initial itinerary'/><author><name>William Dhalgren</name><uri>http://www.blogger.com/profile/02622929884752725806</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_MgpNvUmyuYs/SpH2prINjyI/AAAAAAAAAAM/eNHrnNBp-tg/S220/bowie01.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2573391679747048120.post-8426468104310269321</id><published>2009-08-22T23:55:00.000-07:00</published><updated>2009-08-22T23:56:14.459-07:00</updated><title type='text'>Summer Reading: The Initial Foray</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Times; "&gt;&lt;div style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 3px; padding-bottom: 3px; padding-left: 3px; width: auto; font: normal normal normal 100%/normal Georgia, serif; text-align: left; "&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 20px; "&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: normal; "&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Goals: &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Expand my knowledge base in several areas deemed deficient, including contemporary Middle-Eastern literature, urban theory, Marxian anthropology, and US History. Also, I like science fiction.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: normal; "&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Results: &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;This summer, I read the following books:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 20px; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;strike&gt;&lt;/strike&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Bodies of Work&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; -- Kathy Acker &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;The Modern School Movement: Anarchism and Education in the United States&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; -- Paul Avrich&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;The Last Unicorn&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; -- Peter Beagle&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;The Mafia of a Sicilian Village: 1860-1960&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; -- Anton Blok&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;City of Quartz: Excavating the Future in Los Angeles&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; -- Mike Davis&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Neveryona&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; -- Samuel Delany&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Time Square Red, Time Square Blue&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; -- Samuel Delany&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Four Novels of the 1960s&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; -- Philip K. Dick&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Revolution in the Air: Sixties Radicals turn to Lenin, Mao and Che&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; -- Max Elbaum&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 20px; "&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Reconstruction: America's Unfinished Revolution, 1863-1877 &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;-- Eric Foner&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Neverwhere&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; -- Neil Gaiman&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;The Cheese and the Worms: The Cosmos of a 16th Century Miller&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; -- Carlo Ginzburg&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;The Secret Life of Saeed: The Pessoptimist&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; -- Emile Habiby&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Hammer and Hoe: Alabama Communists During the Great Depression&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; -- Robin D. G. Kelley&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;The Stor&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;y of O &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;-- Pauline Reage&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Salvation Army&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; -- Abdellah Taia&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;strike&gt;&lt;/strike&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic; line-height: 20px; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Law in a Lawless Land: Diary of a Limpieza in Colombia&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 20px; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; -- Michael Taussig&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 20px; "&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Peasant Wars of the Twentieth Century&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; -- Eric Wolf&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 20px; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 20px; "&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Evaluation:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; I read a lot of books. No huge revelations, but I feel much more informed about past attempts to create interracial left-wing political movements in the US, the social structure of peasant societies, and why certain cities are the way they are. I'm thinking about posting my thoughts on some of these books later on. If you have a request for a review of a parti&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 20px; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;cular book, holla at yer boy.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman'; line-height: 20px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2573391679747048120-8426468104310269321?l=becominganintellectual.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://becominganintellectual.blogspot.com/feeds/8426468104310269321/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://becominganintellectual.blogspot.com/2009/08/summer-reading-initial-foray.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2573391679747048120/posts/default/8426468104310269321'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2573391679747048120/posts/default/8426468104310269321'/><link rel='alternate' type='text/html' href='http://becominganintellectual.blogspot.com/2009/08/summer-reading-initial-foray.html' title='Summer Reading: The Initial Foray'/><author><name>William Dhalgren</name><uri>http://www.blogger.com/profile/02622929884752725806</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_MgpNvUmyuYs/SpH2prINjyI/AAAAAAAAAAM/eNHrnNBp-tg/S220/bowie01.jpg'/></author><thr:total>0</thr:total></entry></feed>
